Eurogamer:
"When a day you happen to know is Wednesday starts off by sounding like Sunday, there is something seriously wrong somewhere."
Of all the ways to announce an apocalypse, this is my very favourite - the end of civilisation loudly un-trumpeted by the disruption of schedules and the not-working of things. It comes from John Wyndham's The Day Of The Triffids, a book which sprang to mind recently when I saw some more of The Chinese Room's deserted, post-event mystery, Everybody's Gone To The Rapture.
David at SQUAD writes: "Over the past few months, I’ve found myself lost in a number of books set in my home-land of the United Kingdom. At first, it was by chance, but then I found myself seeking them out. Then I got some games in a few sales -- Assassins Creed: Syndicate and Vampyr, if you must know -- and realized I’d done it again. This got me thinking: does the video game industry do a good enough job of setting games in a diverse set of locations, and how many games are set in the UK anyway?"
Yep, ZombiU was indeed. A game I actually saw recommended a few times. It's weird that it stuck with so many people.
DSOGaming writes: "These past few weeks we’ve been showcasing numerous games that were visually improved by Pascal Gilcher’s ray traced Global Illumination method/solution for ReShade. And today, since it’s a slow news day, we are bringing you four games that have been showcased with this alpha Reshade version. These games are Dying Light, Crysis 3, Battlefield 4 and Everybody’s Gone to the Rapture."
Again Reshade is not Raytracing, is a screen space post processing effect. Thats like calling SSAO "Global Illumination"
From Eurogamer: "The Crackdown 3 developer said it had acquired The Chinese Room, the studio behind Everybody's Gone to the Rapture and Dear Esther, from founders Dan Pinchbeck and Jessica Curry."
