By Kyle
“Have you ever lost a friend you care about? I have...”
As you anticipate the regaling of our adult hero's story, told through a bodiless narration to a young listener, you wander through an empty house, spiritually transported back through time to your days as a fledgling. An unknown force, sparked by wide-eyed wonder, prods you forward through the recesses of the abode, a seemingly normal household that becomes less normal as you take each step. Growing more and more disheveled with each passing moment, your young protagonist finds his missing uncle's laboratory with experiments beyond most human comprehension. He also finds something more, perhaps something for him—a suit that fits him too snugly that will aid him on a wild adventure in a land that few know of and fewer have ever seen.
“He chased his dreams to faraway worlds...”
In the attic, we find something akin to a launcher combined with a teleporter combined with strewn trash. Taking a small step forward, we are propelled to a place where not even our wildest dreams could take us. Did your uncle come this way? Lush greenery and floating islands populate this strange enchanted land. It's not normal here—it's new, it's previously unseen, it's terrifying. There is something that pulls you forward, however, as you muster the gumption and take your first step in this unfamiliar territory. Slowly, as you move forward, this place does not feel so unnatural—almost like a second home, but far more irrational than your time on Earth. Wait. Are you still on Earth? What is this place exactly? Who knows? It does not really matter now, as things are topsy-turvy anyway and your only choice is to progress and seek out your missing family member.
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It is here where A Story About My Uncle shows its colors and separates itself vastly from story-driven games that have permeated our culture recently. Far and removed from titles like Gone Home and Dear Esther, titles that have jokingly been called “walking simulators” where your main goal is to walk from the beginning of the story to the end, A Story About My Uncle takes the time to forge a relationship between its game mechanics and its story, building a foundational narrative that drives you to explore not only within the confines of your straight shot from beginning to end, but to manage different routes that may not have been so apparent from the beginning.
“And somehow...I ended up in one of them...”
The suit you grabbed back there was not just a fashion statement left to you by your uncle before you, but instead allows you all the tools to take advantage of this brand new environment. Your adolescent legs could only take you so far before, but augmented by your cool, new digs, jumping and running become a breeze. In fact, you even have the ability to jump higher than ever before to new heights that basketball stars would be incredibly envious of. Your tireless legs will take you further than ever before, and combining the two will take you to places you could not have imagined.
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Your legs are not your only mode of transportation, of course, because jumping from floating island to an orbiting rock is dangerous work for a young man. No, you also have a grappling tether at your disposal to take yourself up, bring yourself down, cross wide chasms of nothingness—whatever your heart desires, your newfound ability will take you there. Combining all three of your powerful abilities, you will set proverbial sale into this strange land to find out exactly where your uncle is.
“Suddenly, I found myself in a strangely beautiful place. I could soar through the air...”
There is something to be said about how A Story About My Uncle handles the relationship between creating a non-violent platforming action game and interweaving it with a thoughtful narrative in a way that keeps players engaged in one or the other or both. At its heart, A Story About My Uncle is a two-hour game if you play it strictly like a game; jumping from one rock to another all while planning to grapple to yet another to reach your next destination is thrilling and there's a true sense of speed involved as you soar through the air making split-second decisions about your next move lest you find yourself in the suffocating waters below (from where you will be generously respawned from a nearby checkpoint. Those who take the game to its limits, pursuing its delicately-crafted world, will find that the game offers somewhere up to five or six hours of play. Each section has been preciously painted with intricate scenery and new ways to approach and peruse the environments with your laser-like tether. Explore. Be curious. All those grapple points are for you.
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This brings us to a point that gives you a tickle in your tummy. As you continue on your journey, you notice that your uncle, despite his absence, left you little marks of where his own suit had come. See, as you move, your grappling points leave a mark and there are instances where you will see them happen very closely to or even overlap with those left by your uncle. It gives you a strange sensation of following in his footsteps, becoming more like him. Conversely, you can also carve your own path in the game by finding new ways to traverse the areas, giving you another sense of growth, perhaps like your uncle, but much different in execution. Just one of the small touches that crafts a narrative without saying a word.
“Saw things and met beings you couldn't imagine...”
My, and we haven't even gotten to the deeper parts of the game. There is not much to say in regards to characters outside of the narrator without giving much away, but there are strange things afoot in this even stranger land. Narrator aside, the voice acting feels a little weak with other characters you encounter, and your silent protagonist serves more as a vehicle of progression. The quiet is quite welcome, however, as a fully-voiced character would have merited cries of joy as you soar through the air and nonsense filler talk. No, silence is certainly better in this situation.
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There is certainly something peaceful about soaring through the air in each of these beautiful locales that resonates from something of this Earth, but not-quite-of-this-Earth. Practically everything is interesting to look at, with an unsettling sense of familiarity at every point. Such a beautiful game that rarely fails to please visually.
“I can't shake the feeling that this place is still out there...Waiting to be found once again...”
Potentially the biggest letdown of the game is that some sections were deliberately created for you to fail multiple times. Though the checkpoint system is generous, there are a few instances that will have you clawing at your keyboard or controller, wishing there was an easier way to skip past, especially for those more concerned about the narrative of the title and less about finding a challenge. There is great personal reward for persevering and a fantastic sense of accomplishment to accompany.
A Story About My Uncle is a prime example of how to delicately marry and balance the important aspects of actual play. Though it has some slow points in play and strange delivery in character, Gone North Games have offered us something that other studios should be envious of—a first title that not only manages to enrapture you with its fast and fluid play, but keeps you interested in learning more about the direction of the story. Absolutely something to be proud of, and certainly not a title to overlook.
“This...is a story about my uncle.”
Day 1 | Gone North Games
Remedy and Tencent announced today the cancellation of the cooperative multiplayer game known as Project Kestrel (formerly Vanguard) to focus on Alan Wake and Control.
Hades 2 developer Suoergiant Games has possibly hinted at future DLC in what would be another departure from tradition for the developer.
The Outerhaven writes: With multiple gaming studios, including Tango Gameworks, closing, the editor-in-chief of The Outerhaven shares his thoughts on the matter.
Honestly I was looking back and at the launch of the Xbox 1. With Don Matrick at the helm I was disappointed but therevwas something else. That fighting spirit of Xbox at its inception was lost. They stopped innovating, I lost excitement on what the next big new surprise was, because their weren’t any. Not like Halo 2 and Gears launch. You couldn’t really brag about it anymore.
So here we are and corporate MS has ruined what was a beautiful renegade project.
For everything that Xbox did, I was hopeful it would turn stuff around. Game Pass was a start, and the release of its upcoming titles was a nice way to return. I mean, I'm not going to say it was perfect, just like I wouldn't say PlayStation is perfect. Neither company is, but when Xbox goes and does this, it makes zero sense. The message of Xbox's plan had already had me frustrated, but I was like, "Maybe they'll fix this mess."
Now... yeah. Not so confident anymore.
That's how you know this is clickbait garbage. If you write about games for a living and didn't know Microsoft is a cancer on the industry until now than you are awful at your job.
"Right now"?
But not 11 years ago with the disastrous Xbox One reveal which they NEVER recovered from?
Man are you slow on the uptake.
No, Xbox never recovered, but Game Pass (which you're a fool if you deny the success of it), Xbox Cloud, the acquisitions, the reboot of Perfect Dark (which seems to be in the gutter now), the success of Forza Horizon, Sea of Thieves, and yes, Hi-Fi Rush (FFS).
Denying any sort of improvement only goes to show you don't pay any attention to the entire picture.
I think you missed the part where these things were spread years apart. Theres no consistency
I imagine smaller ABK studios like toys for bob and beenox are now feeling uncertain about their futures
Thankfully Toys for Bob managed to safely separate from Xbox and are independent now.
Beenox has been in danger for years now with Activision. Microsoft may act more ruthlessly to them unfortunately.
i think a lot of the anger directed to "walking simulator" occurs when people enter with a certain set of expectations that are not met.
Maybe a genre category like "Digital Novel" or something like that can avoid SOME of the backlash
Nice review/preview though
Interesting... I didn't mind "walking simulators" from games like Gone Home because they usually have intriguing narrative, and this apparently takes the cake from what I have read in here and the interview.
It also looks fun grappling and exploring around in the fictional world so I will check more about ASAMU.
Very interesting read. This game looks amazing, not everyone likes these style of games but I for one really enjoy them.
Sometimes it is nice to leave reality for a while and fade into a charming dream world like this one.
Indies should just keep doing wha they do. It's refreshing to see something different like this every once in a while
Looks dam good