MacLife writes:
"SimCity relocates to the iPhone, remodeling the storied city simulation into a small space. And it plays like a meaty, complete version; the iPhone game is based on SimCity 3000, closely resembling that deep edition. SimCity still needs some refinement and more explicit instructions, but the control naturally translates to the small touch-screen. The hallmark of the series also survives; you'll build up a town from empty fields to metropolis, watching the city grow as a living creature.
You're mayor, initially just zoning various residential, commercial, and industrial spaces. As standard for the series, instead of micromanaging every building, the citizens choose whether to add industries and homes based on the health of the town. You'll create government-led infrastructure, including roads, a water and power system, police stations, and even sports stadiums to make the area attractive. While there's a lot to do, such as setting tax rates and approving ordinances, the balance is manageable; we never got frustrated by having to control too many tasks. "
Get ready to throw down in the ultimate battle arena with Super Dragon Punch Force 3, the latest sensation in the world of fighting games! Developed by the masterminds at Talent Digital Art, this adrenaline-pumping title is more than just a game—it's a knockout experience that will leave you craving for more.
Skewed and Reviewed have written an Opinion Piece covering issues in the gaming industry, how current issues were issues years ago, and what can be done to help restore consumer trust.
Nothing. It's up to the gamers to stop consuming content from companies that they don't agree with.
How do you know if you agree with it or not unless you play it? Which without conventions forces gamers to rely on trailers. Perhaps Demos should be made more frequently. But companies need to do better as well.
But is that not what they have now? Tons of gameplay or are you talking about watching actual gamers play it versus the trailers and streams? The big issue is that some companies pay streamers and influencers and they create content but for me; that is hardly a fair, unbiased, and factual look at a game.
They usually are attached to the money sadly. It would be nice to have gamers in charge but you have so much money invested that business people are needed. Hence the issue; you need people who know business but are also gamers who know have an eye to the community. It sounds simple in theory that if you give gamers quality games that they want to play; money will be made. But that is not always so.
Marie Dealessandri speaks to Borislav Slavov and Gustavo Santaolalla about “the new golden age of games music”.
