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User Review : Tom Clancy's Rainbow Six Siege

Ups
  • Destruction
  • Map Design
  • Emphasis on Cooperation
Downs
  • Lack of Content
  • Technical Issues
  • Lack of Atmosphere

Breach & Clear.

The anatomy of Tom Clancy’s Rainbow Six Siege consists of equal parts predictability and disorder. Predictable are the initial forays of both teams – the drones of the attackers slithering throughout the building and infecting its many darkened corners, the defending team affixing traps and barricades in the hope of tempering the ensuing enemy assault. Even beyond the first ninety seconds of live action can things still remain relatively easy to anticipate. On the ground floor, your fingers dig harder into the grip of your rifle as feint rumbles begin to emanate from the upper reaches of your holdout. Whilst above, window fortifications fracture as glassy-eyed assailants submerge beneath the powdered haze and begin their pursuit. Harder to control though is everything else beyond the initial overture, for its only after the game clock starts ticking that the mundanity of fortifying and foraging becomes more important, and the intricacies of Siege begin to blossom exponentially.

Rainbow Six Siege exists as a testament to the ideal marriage of erraticism and precision. Like Clancy games of old, gunfighting is approached with the sense that wastefulness is akin to carelessness, and thus ammunition spent aiming anywhere other than the cranium of your opponent is ammunition not fulfilling its purpose. It takes a certain level of lethal precision to flawlessly cut down an opponent before they even have a chance to raise their weapon, but it takes a great degree more to have manoeuvred into a position to do so without ever being detected. The deft touch espoused by the more agile and tactile player is one befitting many of Clancy’s revered protagonists, not least a callback to several Rainbow Six games of old that revelled in such a nuanced approach to combat. With Siege though, the emphasis seems less on coating the canvas with delicate flecks of red, and more with puncturing it entirely. There’s room for the measured approach of older Clancy games, but there’s success to be found outside of conservative combat too. Rather than reducing the labyrinthian hallways of every map to little more than deathly chokepoints, you’re instead encouraged to forge a path all your own, with wafer-thin walls and breakable flooring helping to eradicate any sense of personal safety. And it’s the prospect of a lone bullet piercing the stucco and changing the balance of play that keeps any match from being a foregone conclusion.

Every unique environment in Siege is built with a few different objective modes in mind – capture, extract and defuse. The three aren’t particularly distinctive, and are almost interchangeable when successive matches in a single play session begin to blur into one another. At times anyway it feels as though, instead of a live hostage, you may as well be throwing the glowing box used for the ‘capture’ objective out of the second story window instead. Every match can always be decided by the elimination of all five enemy players however, with their position in relation to the objective largely helping the attacking team decide their course of action. Attacking two different emission devices at the tail end of a presidential plane means that the defending team are likely to be split between the two locations, and thus eliminating one of the groups may force the other into action and free up the site for an active defusal. Inversely, defending a hostage whilst burrowed deep into the nose of the plane means that the enemy team may only approach from a forwardly direction, allowing the defenders to focus on fortifying just one general area. Different objectives mean that the same map can be played in many contrasting ways, with the verticality of every area also playing a large part in the direction of both teams.

As varied as every map is though, they all tend to lack an atmosphere befitting the gravity of the situation. Police cordons and the flashing lights of empty squad cars say little of the initial fight before the arrival of your team, whilst the silence beyond the rummaging of the defenders inside the building hardly sets the heart racing. Occasionally, you may even see a news chopper hovering above, but to look at it though a magnified lens is to see it hang there without a presence, a poorly rendered smudge in the background that struggles to convey the level of urgency affirmed by the games initial cutscene.

One of Siege’s clearest successes though is in the usefulness of every one of the twenty operators available. There is no operator in the game devoid of purpose, with even some of the more less appealing choices being entirely capable of shaping and reshaping the climate of any given match. Divided into ‘attackers’ and ‘defenders’, your operator choice is, again, likely going to be determined by the map and objective at hand. If you team finds itself sequestered in a small area, then the double-strength barriers that the defender ‘Castle’ comes equipped with can help turn a simple conference room into a heavily-guarded rampart. If you’re instead intent on crippling all defender electronics, then the attacker ‘Thatcher’ and his clutch of EMP grenades can cause catastrophic damage that frees up the rest of your team for a uninterrupted breach. And as far as the more bold approach goes, there isn’t a defender who packs a stronger punch than ‘Tachanka’, a heavy-set Russian fellow with a portable 50 calibre turret and a lust for wanton destruction.

In being a game that doesn’t shy way from the lauding of player communication above all else, there’s also something to be said for the combination of operators and their abilities. For the attacking team, operator ‘Ash’ can create new lines of sight for the methodical marksman ‘Glaz’. For the defenders, a synergy between the electrified barbed wire of ‘Bandit’, mixed with the disruptor charges of ‘Mute’ can negate the enemy teams visual advantages entirely. Every operator has a talent and a crutch, and it’s the goal of the opposition to identify key strengths and exploit weaknesses. It’s a cyclical endeavour in the best possible way, and an interchanging meta that keeps the experience of Siege fresh and self-replenishing.

Operators in the game are each inherently diverse, but they are not particularly permeable. Outside of a meagre offering of weapons, the only avenue of personalisation is in tacking on a barrel attachment or wrapping the body of your chosen armament in one of many garishly designed skins. Like skins, attachments are also generally only for an aesthetic benefit. None of the few choices you have available to you drastically alter the performance of your weapon, but personal preference may dictate the use of a flash hider for a little bit more concealment when engaging from afar.

Although many of the weapon skins available can be purchased using the in-game currency of ‘Renown’, the few that don’t tend to induce a vomitous reaction are all barred behind an oddly structured premium equivalent. ‘R6 credits’ thus offer the chance to stand out in replays and on camera feeds, but their ridiculous utilisation leaves a lot to be desired. A £30 lump sum for a pack of nonessential currency is completely unbecoming of the games reach, even if the overlying intention is in using R6 Credits to subsidise future free content.

Outside of its flag bearing player-versus-player mode, Siege also offers two other ways of familiarising yourself with each of its maps and operators. ‘Situations’ shows what might’ve been had developers Ubisoft included a story-driven aspect to the game, with a handful of animated cutscenes giving some clarity to what little plot propels Siege’s general context. It’s more of a tutorial than anything, with the completion of each mission giving a much needed Renown boost in the early stages of your Siege career. ’Terrorist Hunt’ meanwhile replaces opposition players with enemy AI, and encourages teams to hone their communicative abilities and strategies prior to taking on the world.

Rainbow Six Siege may be evidently light on content, yet more than any other game in its position, it makes the most of what it has to work with. The calculated design that has gone into the core game ensures that every match is different from the last, with adrenaline-fuelled gunfighting propping up the almost insurmountable challenge of mastering every given situation. You won’t, of course. Siege is more about near-mastery than complete ownership over every floor tile and sightline. And there’ll always be an operator that you hadn’t foreseen, always be a problem to arise at an inopportune moment or mistake on your part when it comes to putting down the mobile drone and picking up the rifle. And when it does come time for the swift injection of smoke and fire and shell casings that shape the outcome of every round, there’s still no guarantee that your careful planning won’t amount to nought.

As shots reverberate off the basement brickwork and kick up chalk into the air, you’ll have little time to wait and ponder. To fire at the demolition expert coating the room with fragmentation grenades is to leave yourself open to the electronics seeker. To prioritise her is to give the explosives technician enough time to lay waste to your most important fortification. And to rush him is to open yourself up to fire from the sniper perched on the window pane atop the stairs. Tom Clancy’s Rainbow Six Siege rewards ingenuity and punishes thoughtlessness just as much as it contradictorily emphasises snap judgements and heat of the moment heroism. But to condense the games many elements is to arrive at its pursuit of balance. Balance of class choice, of methods and of actions. Siege may be a game of duality, but it’s a duality that Ubisoft clearly understand, providing as they have a shooter that succeeds and flourishes on its base principles alone. But walls were made to be broken, and so they shall be. And in Siege, there is no chaos but the chaos necessary for deliverance.

Score
6.5
Graphics
Beyond the rendered environment in which you fight, Siege is hilariously bad looking. The active environment though is fairly easy on the eye, if a little drab in places. Lighting is a feat.
6.0
Sound
Sound effects in the heat of battle are fantastic. Weapons sound realistic, the noise of destruction is devastating. Less inspiring is the games ambient soundtrack, which borders on irreverent noise for the sake of it.
7.5
Gameplay
The destruction mechanic is executed flawlessly. Operator variation is rather good. Shooting is light and responsive. The core game is enjoyably competitive.
7.5
Fun Factor
With a full team, Rainbow Six Siege is one of the most outright fun multiplayer experiences available. The games biggest impediment on its fun factor is its lack of content and connectivity issues.
7.0
Online
As of writing, hit detection and netcode problems rule the game. Upcoming patches seek to fix these issues, but they have such a big impact on enjoyment that they're generally too hard to ignore.
Overall
7.0
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Pillsbury13089d ago

It's an online only, average, objective based tactical shooter.

AshHD3089d ago

Not a fan I take it? That's fair enough, Siege's twitchy and tactical blend isn't suited to everyone's taste. Like I said in the review, I feel as though the 'core' of the game is rather solid, but everything else that surrounds it is rather unkempt.
Outside of the aforementioned technical issues, it's been a great shooter to play as I wait for something more typical like Battlefield V or Overwatch.

Thanks for reading!

coolbeans3089d ago

I haven't gotten that far into it yet, but I absolutely love this change in direction for the series. I can see where you're coming from with the atmosphere complaint but in reality I wouldn't expect much activity directly surrounding the immediate vicinity of some hazardous material or whatnot. Hostage situation? I suppose. But with that considered, the simple act of breaching some barricaded area more than made up for that tense atmosphere imo.

Such a surprise hit for me.

AshHD3088d ago

Agreed! The concerned few would be well away from the action, but I still think that the dullness that exists within the surrounding area leaves a lot to be desired. I'm not looking for some kind of cheesy 80's hostage situation ripped from a bargain-bin action film that involves a picket line full of civilians and a negotiator with a megaphone, but it'd still be beneficial I feel to offer more than just a few wisps of smoke and an abandoned squad car. All of the games action is contained within these small cubic arenas, it'd just be nice to see the same level of detail applied to the outside as with the inside.

And the tension upon every breach is palpable. Sometimes it takes me a good minute before I've chosen a point of entry. Maybe I'll get lucky and catch a sleepy defender unaware. Maybe I won't and I'll be blasted away before I pass through the door frame. The lottery of the opening breach is just part of the appeal.

Thanks for taking the time to read and comment!

60°

Rainbow Six Siege Y9S3 Launches Sept. 10, New Operator, Gameplay Updates Revealed

Rainbow Six Siege Y9S3: Operation Twin Shells new operator info blowout, Siege Cup beta info and more revealed before the update's launch.

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Community31d ago
coolbeans31d ago

Two whole seasons without a new or remade map added to Ranked is wild.

90°

Rainbow Six Siege Optional Monthly Paid Subscription Sparks Community Outrage

The new monthly paid subscription for Tom Clancy's Rainbow Six Siege has sparked an outrage among the game's community.

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Community119d ago
senorfartcushion119d ago (Edited 119d ago )

Paid subs are coming, and every company is investing heavily in them. From Microtransactions to this type of stuff, the community has been vocal about the issues surrounding ripping customers off, but we are being let down by influencers and journalists in trying to fight off these abhorrent business practices. Influencers and journalists don't say enough about how bad this stuff is. Meanwhile th soft buyers in the general public are getting more outraged by the day and whales are being exploited to pay too much of their own money for pointless crap.

A paid sub is partly why I think Xbox can throw Black Ops 6 on to Gamepass day-and-date and still think of it as "good business."

ElaBosak118d ago (Edited 118d ago )

What's bad in this exactly? Explain in detail.

senorfartcushion117d ago

Paid subs and microtransactions are bad.

ElaBosak113d ago (Edited 113d ago )

Not my question. What's bad in this exactly? Explain in detail.

senorfartcushion113d ago

It's going to cost you and I more money and we will have less opportunities to play the games we want to play, as well as purchasing games we want to purchase.

'Kay?????

ElaBosak112d ago

How is it going to cost you money if you ignore it and don't pay for it?

senorfartcushion112d ago

Because studios are aiming to have this as a mandatory thing. They want people to pay monthly for their experiences, like what you do for Netflix. They don't want single time purchases.

So says a friend of mine who's heard their execs say it for real. And they iterated that EVERYONE wants it.

Stop being stubborn.

ElaBosak111d ago

Wait, so you made some hypothetical scenario up and just got mad about it? This is unhealthy.

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Shikoku119d ago

So PC gaming kills subscriptions model, now they want to bring it back along with season passes, MT, dlc and whatever else they can think of. 🙄

ElaBosak118d ago

What do you mean PC gaming kills subscriptions? PC gaming is what started gaming subscriptions in the first place.

ElaBosak118d ago (Edited 118d ago )

Actually a good model. More games should do this.

70°

R6 Siege Y9S2 "Operation New Blood" Launches June 11; New Features and R6 Membership Revealed

Rainbow Six Siege Year 9 Season 2 Operation New Blood sees the Recruit rework, the introduction of R6 Membership and more.

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