Various Until Dawn vets have started the new studio Ballistic Moon, and it seems they may be working on something for PlayStation.
Did we tell you we're developing our new #game with #UE5? We're working with a big publisher and our brilliant team of #gamedevs, AND we'll be relocating soon..🤫
— Ballistic Moon (@ballistic_moon) August 9, 2022
Lots going on! Tell us what you have been up to! 🌚✨ https://t.co/d5Vx62bO13#hiringno #gamedevjobs #Games
Marathon was slated to launch on Sept. 23, 2025 across Xbox, PC, and PlayStation, but Bungie will share the new release date in the fall.
It will lessen though and possibly make all the difference if it launches in a state that rectified a lot of the issues people had with it. A LOT of ifs of course.
If you really gotta play ... play the better extraction shooter this year : ARC Raiders
They can't cancel it until a themed controller has been released first... like concord.
If they were absolutely certain about the quality of Marathon, then they had not delayed it just now.
So they've basically just confirmed what everyone, well, a lot of people saw: Marathon is not ready yet, still no soul to be seen.
"Doubling down on the Marathon Universe"
They're doubling down on soul, thank goodness this feedback illuminated that for them...
and N4G was littered with comments like : Marathon looks really good, maybe you're a hater and the likes blah blah ... especially under articles which compared it with Arc Raiders ....
The latest game in BioWare’s fantasy role-playing series went through ten years of development turmoil
In early November, on the eve of the crucial holiday shopping season, staffers at the video-game studio BioWare were feeling optimistic. After an excruciating development cycle, they had finally released their latest game, Dragon Age: The Veilguard, and the early reception was largely positive. The role-playing game was topping sales charts on Steam, and solid, if not spectacular, reviews were rolling in.
Its easy they called the die hard fans people in their nerd caves who will buy anything and then went woke to reach modern audiences....insulting the nerds in their caves along the way showing utter contempt for their fan base. very hapy it failed and any company who insults their fan base and treat their customers with contempt and insults, in future, i also hope fail.
It’s disappointing but not surprising to see what's happening with Dragon Age: The Veilguard and the broader situation at BioWare. The layoffs are tragic — no one wants to see talented developers lose their jobs. But when studios repeatedly create games that alienate their own fanbase, outcomes like this become unfortunately predictable.
There’s a pattern we’re seeing far too often: beloved franchises are revived, only to be reshaped into something almost unrecognizable. Changes are made that no one asked for, often at the expense of what originally made these games special. Then, when long-time fans express concern or lose interest, they’re told, “This game might not be for you.” But when those same fans heed that advice and don’t buy the game, suddenly they're labeled as toxic, sexist, bigoted, or worse.
Let’s be clear: the overwhelming majority of gamers have no issue with diversity, LGBTQ+ representation, or strong female leads. In fact, some of the most iconic characters in gaming — like Aloy, Ellie, or FemShep — are proof that inclusivity and excellent storytelling can and do go hand in hand. The issue arises when diversity feels performative, forced, or disconnected from the narrative — when characters or themes are inserted not to serve the story, but to satisfy a corporate DEI checklist. Audiences can tell the difference.
When studios chase approval from a vocal minority that often doesn’t even buy games — while simultaneously dismissing loyal fans who actually do — they risk not just the success of individual titles, but the health of their entire studio. Telling your core customers “don’t buy it if you don’t like it” is not a viable business strategy. Because guess what? Many of us won’t. And when the game fails commercially, blaming those very fans for not supporting it is both unfair and self-defeating.
Gamers aren’t asking for less diversity or less progress. We’re asking for better writing, thoughtful character development, and a respect for the franchises we’ve supported for decades. When you give people great games that speak to them — whether they’re old fans or new players — they will show up. But if you keep making games for people who don’t play them, don’t be surprised when those who do stop showing up
I thought the writing and character development were fine. Sometimes things just dont resonate with people.
Recent evidence we discovered indicates that the next game in the Just Cause series may have been canceled, potentially two years ago.
Good news indeed. I loved Until Dawn. Very unique and fun game to play early on in the PS4 lifecycle.
I imagine Supermassive were 'this' close to being acquired by Sony after years of being their go-to 'hey look what the PlayStation Move controllers/Wonderbook can do' partners, the surprise success of Until Dawn and the promising PSVR title Until Dawn Rush of Blood had them on that trajectory.
Then they bit off more than they could chew and mismanaged the hell out of the PSVR titles, Bravo Team and The Inpatient (4 games in just a couple of years). They were stretched far too thin, and they end up getting acquired by some rando Danish company. It's a shame things didn't work out differently. I've no doubt they'd make an amazing follow up to Rush of Blood for PSVR2.