Sumthing writes:
A powerful piece of 80’s Japanese pop nucleus Rebecca, composer Akio Dobashi, now newly leased from the rigors of his record company following the group’s implosion, sought a refuge both immediate and vastly distant from his unraveling present. Unwilling to surrender, and perhaps caught amongst an avalanche of inter-band political disputes and documents foisted upon him thick with alien legalese, Dobashi voluntarily lost himself inside the work for Konami’s Lagrange Point.
