Wired: Barely 15 minutes into the new Wolverine videogame, I am ankle-deep in carnage. I have filleted soldiers straight up the center, like fish; I have spun in a pirouette of death, decapitating anyone and everyone an arms'-breadth away. And I've grabbed enemies by the neck, hoisting them aloft and stabbing them repeatedly - crick, crick, crick - right through their rib cages. Eeeyikes.
Does grisly violence like this make action games more fun? For years, I assumed the free market had answered that question with a resounding "yes." If shoot-'em-up games were insanely gory, it was, I figured, because developers were simply giving their hardcore young-dude audience what it wanted. Violence sells because violence works: It's crucial to creating a sense of dastardly fun. Right?
A gorgeous real-world Miraidon from Pokemon Scarlet and Violet has been created in Japan by the Toyota Engineering Society.
JDR thinks the gaming industry needs more licensed IPs. It's basically a cry for Firefly: The Game, and why not? JDR delves deeper into why more isn't adapted for the interactive screen.
Nah. Video games are their own thing they wouldn't be improved by leeching off Hollywood more.
Read the article and it gives no mention of the many problems prevalent with licensed IPs, such as games and dlc being delisted when their licenses expire, Adult Swim games being the most recent example.
Only if they're good, if its going to be a 2D sprite art game, you can get away with a small team and small budget. But if you're going to make it a 3D polygonal game, you're going to need a large team with a large budget, and often times these licensed games are quickly pushed out the door, unpolished, rough, boring, bland, snorefest at best, and downright broken at worst.
We have an Indiana Jones and James Bond game currently being developed by two veteran teams with I assume fairly sizeable budgets. Let's hope they turn out to be worthwhile.
A new Mad Max game to coincide with the upcoming film would have been awesome. I loved the first game, I'm guessing it didn't sell too well as they never bothered following it up.
"The Game Music Foundation are today very proud and pleased to announce an additional concert, circling back to the roots of Game Muisic Festival in Poland. On April 28th, 2024, the National Forum of Music in Wroclaw will once again become a place to celebrate the art of video game music, featuring scores from The Last of Us and The Last of Us Part II." - The Game Music Foundation.