A survival horror game that's so much more, Sorry We're Closed blends the past with the present in an often riveting experience
VGChartz's Lee Mehr: "It can be tough to fault à la mode games' freshmen work for its indulgences when – ironically – the game centers its identity around the most garish and operatic of them. It's an absolutely and unabashedly bizarre journey to its core about the volatile line between love and obsession. It pays homage to inspirations like early Silent Hill and Resident Evil titles by slathering this blocky, demon-filled world in eccentric neon colors. And, most of all, it utilizes a nifty nuance to find an identity all of its own. Each one of these pillars has some unwelcome cracks, but not enough to dismiss what's otherwise a compelling adventure."
Michael Kitchin writes, "I think Sorry We're Closed has a great sense of style. It's not for everyone and I do think the ubiquitous androgyny is overdone. The survival horror comparisons quickly subside due to combat and the narrative lacking in substance. I do enjoy the quick and snappy gun play but, atmospherically, there's no dread. Narratively, I find the cast to be lacking in nuance. They're all loud, just like the visuals. I think there's some ideas here and it's certainly a memorable game, it just seems more style over substance."
MonsterVine: "A low-poly survival horror game wrapped in themes of love and self-discovery. Read our review of Sorry We’re Closed on consoles."
