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The latest game in BioWare’s fantasy role-playing series went through ten years of development turmoil
In early November, on the eve of the crucial holiday shopping season, staffers at the video-game studio BioWare were feeling optimistic. After an excruciating development cycle, they had finally released their latest game, Dragon Age: The Veilguard, and the early reception was largely positive. The role-playing game was topping sales charts on Steam, and solid, if not spectacular, reviews were rolling in.
Its easy they called the die hard fans people in their nerd caves who will buy anything and then went woke to reach modern audiences....insulting the nerds in their caves along the way showing utter contempt for their fan base. very hapy it failed and any company who insults their fan base and treat their customers with contempt and insults, in future, i also hope fail.
It’s disappointing but not surprising to see what's happening with Dragon Age: The Veilguard and the broader situation at BioWare. The layoffs are tragic — no one wants to see talented developers lose their jobs. But when studios repeatedly create games that alienate their own fanbase, outcomes like this become unfortunately predictable.
There’s a pattern we’re seeing far too often: beloved franchises are revived, only to be reshaped into something almost unrecognizable. Changes are made that no one asked for, often at the expense of what originally made these games special. Then, when long-time fans express concern or lose interest, they’re told, “This game might not be for you.” But when those same fans heed that advice and don’t buy the game, suddenly they're labeled as toxic, sexist, bigoted, or worse.
Let’s be clear: the overwhelming majority of gamers have no issue with diversity, LGBTQ+ representation, or strong female leads. In fact, some of the most iconic characters in gaming — like Aloy, Ellie, or FemShep — are proof that inclusivity and excellent storytelling can and do go hand in hand. The issue arises when diversity feels performative, forced, or disconnected from the narrative — when characters or themes are inserted not to serve the story, but to satisfy a corporate DEI checklist. Audiences can tell the difference.
When studios chase approval from a vocal minority that often doesn’t even buy games — while simultaneously dismissing loyal fans who actually do — they risk not just the success of individual titles, but the health of their entire studio. Telling your core customers “don’t buy it if you don’t like it” is not a viable business strategy. Because guess what? Many of us won’t. And when the game fails commercially, blaming those very fans for not supporting it is both unfair and self-defeating.
Gamers aren’t asking for less diversity or less progress. We’re asking for better writing, thoughtful character development, and a respect for the franchises we’ve supported for decades. When you give people great games that speak to them — whether they’re old fans or new players — they will show up. But if you keep making games for people who don’t play them, don’t be surprised when those who do stop showing up
I thought the writing and character development were fine. Sometimes things just dont resonate with people.
Now’s the best time to travel to Night City as Cyberpunk 2077: Ultimate Edition is the best pickup on the Switch 2 at the moment.
Begone, game-key carts. Full cartridges just work better and here's why.
I didn't bother buying any game key carts for my system despite my preference being physical.
I brought the mkw bundle and that was a digital code but I wasn't going to pay double for the game
I got yakuza 0 digitally as the key card made zero sense to me it costs more and its just a digital game in disguise (I never sell my games anyhow)
...obviously. If a game is 64gb or less, it should release on card. If it exceeds 64gb, the key card comes into play. It does suck that Nintendo wont support smaller cards, SW1 games came on anywhere from 8gb to 32gb cards. The cost of using a 64gb card for a game that would fit comfortably on a 32 or even 16 may not be cost effective for some smaller devs. Hence the use of the key card.
Then again, its taking a page out of Sony's book. They mandated the use of DVD media for all games a few years after the PS2 released. Until then, they supported games on CD. Then when it came to PS3, no game was allowed to use DVD, they all had to be bluray regardless.
Now with PS5, they only use UHD media, no regular bluray for games allowed. Even if the game is smaller than a DVD. So i can see Nintendo trying to standardize their game cards. If devs dont want to pay for the use... the key card is for them.
why even bother buying one of the fake game cards? It's just going to be digital anyway. Save yourself the hassle of having to insert these fake cards and just buy it from the online store.
But I absolutely 100% do not agree with Nintendos take this generation. Forcing the new norm price point, and releasing a majority of their titles digitally with no sense of game preservation. Very disappointing.
This game is top tier.