Today Remedy Entertainment Head of Communications Thomas Puha provided a bit more color on the upcoming two games in the development at the studio, one of which is code named "P7" simply because it's the seventh project the studio is working on.
During a livestream on his personal Twitch channel, Rob Wiethoff (who voices John Marston in the Red Dead Redemption series) hinted at "exciting news" to be revealed next week. According to Wiethoff, the news will be announced "before Friday".
PS5/Pro/Switch 2 version of RDR2 seems most likely. I’d love a RDR3 but that seems years away
Agreed, but at the same time RD2 came out in 2018. Could it be a remake of Red Dead 1?
Spoiler:
Marston died in the end of Red Dead and Red Dead 2 is set before that. Im curious now. What news could it be?
I'm pretty sure the next game will be another prequel as the story really has no where to go as far as being a western after red dead redemption. The next game will end with the ferry boat incident.
Their contracts are iron clas if they leak anything legit they are threatened with immense legal action.
My hopes for what this is are minimal its probably a meet and greet with the cast
I dont see why they would be involved in a upgraded version of rdr2 when the dialogue hasn't changed
He seems to have been cleared to do this as he purposely picked up the game, streamed it, and made the announcement.
Warhammer 40,000: Boltgun 2 developers discuss the huge success of Space Marine 2 and its effect on the series as a whole.
I’ll get Space Marine 2 when it’s cheaper. I don’t pay more than half price for short games.
The latest game in BioWare’s fantasy role-playing series went through ten years of development turmoil
In early November, on the eve of the crucial holiday shopping season, staffers at the video-game studio BioWare were feeling optimistic. After an excruciating development cycle, they had finally released their latest game, Dragon Age: The Veilguard, and the early reception was largely positive. The role-playing game was topping sales charts on Steam, and solid, if not spectacular, reviews were rolling in.
Its easy they called the die hard fans people in their nerd caves who will buy anything and then went woke to reach modern audiences....insulting the nerds in their caves along the way showing utter contempt for their fan base. very hapy it failed and any company who insults their fan base and treat their customers with contempt and insults, in future, i also hope fail.
It’s disappointing but not surprising to see what's happening with Dragon Age: The Veilguard and the broader situation at BioWare. The layoffs are tragic — no one wants to see talented developers lose their jobs. But when studios repeatedly create games that alienate their own fanbase, outcomes like this become unfortunately predictable.
There’s a pattern we’re seeing far too often: beloved franchises are revived, only to be reshaped into something almost unrecognizable. Changes are made that no one asked for, often at the expense of what originally made these games special. Then, when long-time fans express concern or lose interest, they’re told, “This game might not be for you.” But when those same fans heed that advice and don’t buy the game, suddenly they're labeled as toxic, sexist, bigoted, or worse.
Let’s be clear: the overwhelming majority of gamers have no issue with diversity, LGBTQ+ representation, or strong female leads. In fact, some of the most iconic characters in gaming — like Aloy, Ellie, or FemShep — are proof that inclusivity and excellent storytelling can and do go hand in hand. The issue arises when diversity feels performative, forced, or disconnected from the narrative — when characters or themes are inserted not to serve the story, but to satisfy a corporate DEI checklist. Audiences can tell the difference.
When studios chase approval from a vocal minority that often doesn’t even buy games — while simultaneously dismissing loyal fans who actually do — they risk not just the success of individual titles, but the health of their entire studio. Telling your core customers “don’t buy it if you don’t like it” is not a viable business strategy. Because guess what? Many of us won’t. And when the game fails commercially, blaming those very fans for not supporting it is both unfair and self-defeating.
Gamers aren’t asking for less diversity or less progress. We’re asking for better writing, thoughtful character development, and a respect for the franchises we’ve supported for decades. When you give people great games that speak to them — whether they’re old fans or new players — they will show up. But if you keep making games for people who don’t play them, don’t be surprised when those who do stop showing up
I thought the writing and character development were fine. Sometimes things just dont resonate with people.
Bought QB pre owned for like $20. No way am I going to pay full price for this baby.
Yep. I absolutely said this before and after QB came out. I pointed out the janky animations or lack thereof and that their modern shooter didn't even have a reload animation. I said they needed to stop wasting resources on those stupid live-action cutscenes and hire a better game designer instead.
I was hoping that they could take lessons learned and put it towards making Alan Wake 2 an amazing game, but it looks like they're going down the multiplayer route, which is a deep shame.
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LMFAO @ Septic being all frivolous.
You could've probably picked a more meaningful response than that. If anything, they need to send some of their best to be understudies at Naughty Dog or just hire people from that studio.
Remedy is like valve... no matter how many times we tell them what we would like they just don't listen at all...
How many times do we have to say aw2 just to get something completely different and now they want to tackle online.... they are too busy jumping around all over the place instead of focusing on what they do best and make it better... then jump into the next endeavor and work on that..
A better engine than QB's too please.