Jim writes "Keiji Inafune really, really likes robots. The director best known for his work on Mega Man and the slightly less popular Mighty No. 9 is back with another bionic adventure, differentiated by the fact that this time you’re playing a human with robot friends as opposed to a robot with human friends.
Either way, there’s still loads of robots, as Comcept continues its obsession with automatons".
Former Santa Monica Studio writer Alanah Pearce has shared some insight on the game industry, and it's not great.
AAA has gone downhill as they focus on huge profits. Indie and other smaller games however have been amazing not chasing trends and the next big thing.
In all honesty, a significant majority of indies and smaller games fail. At best a you might hear about 10-20 indies that get attention or do well, but 100s more fail. AAA games can still be the bread and butter of the industry, but greedy executives would kill a good game if it doesn't make them a lot of money
I don’t game much anymore as i used to. Last big game i played was Stellar Blade. Almost didn’t touch the console since.
I don’t have much backlog for the first time in a long time. Maybe others enjoy what’s coming, but I’m losing feeling a little
Nail on the head. AAA has lost the magic and focused on profits and "player engagement". Gaming is an art form, and like always the CEO fat cats roll in to capitalize at the cost of innovation, passion, wild experimentation. We need a major realignment in the industry and it starts with gamers voting with their wallets.
I think that's already happening, we're seeing commercial successes in studios like Larion and whoever made Kingdom Come for example. Double Fine is another good example. Studios who are filled with and run by people who give a fuck that aren't hamstrung by money men. That's the answer and consumers are favouring it more than the soulless AAAs that have been put out. I don't doubt there is talent at Ubisoft for example but when they're told exactly what the end product needs to be by people who don't know what consumers actually want, it's always going to result in the same rehashed but slightly shinier slop.
Exactly. I do believe we are starting to see a shift in consumer habits. The market is saturated with GaaS and battlepasses, seasons, etc. We can't all play the same four games until the end of time. Fatigue is setting in and the industry needs to get back to making new experiences rather than chasing the latest "money maker".
I was wondering whether this is perception or actually happening but it feels to me, as a semi old gamer, there is more choice than ever and as such people are now much choosier about how they spend their time and money gaming. Certainly noticing this when it comes to GaaS as you mentioned, the question always has to be why would I play this instead of what I'm already playing. Anthem is going to have a real hard time prying away people, especially with a premium price tag that screams money men as a decision.
Nah. Devs need to pay the bills. Uninspired games fail, but artsy games usually fail even harder.
Gamers are voting with their wallets, Kingdom Come Deliverance, Expedition 33, games made by passionate developers who are not being controlled by money men are seeing their work get universal praise and selling extremely well. Meanwhile Outlaws and Veilguard are underperforming. I wonder how many people Ubi and EA had working on those games, in comparison Sandbox have just a core development team of 30 and managed to put something out EA and Ubi can only dream of.
The underlying problem though lays with how EA and Ubi execs react to these sort of things. Seems like they'd rather just lay off good developers and focus their efforts on their cash cows as opposed to change their development philosophies.
She didn't even call out Stanfield's PNG file planets when she flew through one. She just 'yelled' something stupid like 'flat earth'. She wasn't even taken aback in the slightest. I am not sure she isn't a part of the problem.
She's always been a narcissist bimbo, I'm even more surprised she's not in only fans yet.
I wasn't sure of the actual number of years just seemed like it wasn't that long ago when I heard that she got a job as a writer there, guess time flies. 4 years being "pretty good" or not is subjective depending on ones perspective. The question might be, was four years long enough to make a discernible writing contribution to a video game based on how long development cycles are these days?
She left SMS because she needed to go back to Australia to support a parent with cancer.
She quit SM studio to focus on her own stuff, There was a video where she explained all of it.
Okay, explain like the other 50 jobs she's had and hasn't held......
I think she likes to bend the truth a ton on how involved she is and when her lies catch up with her she moves on to start a new batch.
Greed , lack of innovation and agendas
Why do we rave about a good indie game but we avoid a AAA game.
The Nintendo Entertainment Podcast is here and with another wide week of news and topics to discuss, including Xenoblade Chronicles X Definitive Edition, Marvel Rivals, and of course, the Nintendo Switch 2.
The crew dives into Capcom Fighting Collection 2, Forza on PS5, Switch 2 rumours, Sony's price hike, and more in this week’s Spectator Mode Podcast.
I am expecting this game to have around 6-7 scores with the standard really low ones. I am going to pick it up.
Sounds like a chore to play tbh. 7\10 is one of the higher scores. Quite a few 3's n 4's. Seems like it has a few technical issues as well, too many loading screens and a lot of backtracking.
Shame, seems it had potential.