Everybody’s Gone to the Rapture review | EGM

Given its post-apocalpytic trappings, no one would fault you for assuming that Everybody’s Gone to the Rapture is a game about the fate of humanity. It’s not. Instead, developer The Chinese Room, best known for their earlier work on Dear Esther and Amnesia: A Machine for Pigs, has delivered a game that places the emphasis squarely on the fate of humans.

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