Ian Howarth: "Hatred has caused a lot of controversy in the gaming community since its announcement, even going as far as to be removed from Steam’s Greenlight campaign. Of course Valve eventually pulled a U-turn on that, which captivated a lot of attention; boosting it to the most voted game at the time. The attraction that Hatred brought upon itself for being ‘ultra-violent’ is one of the best marketing strategies I’ve ever seen because in reality it is nothing more than a sub-par twin-stick shooter with bad controls, laughable dialog and voice acting, the most insultingly stereotypical main character I’ve ever seen, and eye-straining graphics. Although, it was still the top-selling game on Steam upon it’s release, placing above Grand Theft Auto V and the recent, highly praised, The Witcher 3: Wild Hunt."
A game about killing people.
This game was just gratuitous violence. I don't know why it was rated AO. It's no worse than a GTA killing spree, Hotline Miami, or even the 'No Russian' COD mission. Reminded my of a weaker Dead Nation except no zombies.
I'm surprised Switch is getting this and PlayStation/Xbox isn't. The game was basically Postal with better graphics and more realism.
A look at five games that gamers loved but most critics hated.
Advent Rising is another good example. It got panned by critics but it has a good story and I enjoyed playing it. The graphics are dated, the enemies all look the same, but it was made in 2005 so what do you expect? I wish they made the sequel so I could finish the story but I think the critics killed it off.
Joanna Mueller writes: "Since the 1980's, video game advocates have been arguing for the protection of games as a medium of free speech. Frankly, I consider myself in that camp, but just because a game can push against the boundaries of common decency doesn't mean it should. Especially if the developer is just hoping to ride the wave of pearl clutching controversy to the bank."
Nothing wrong with pushing for controversy, but the game still has to be worthwhile. Lots of games in the 90s showed that.
Because the novelty will eventually wear off and the audience will eventually wise up.
So what? If there's a market for something then why should anyone care if it gets filled, as long as it's not something illegal? You can dislike so-called "edge lord" games all you want (in fact, you can like or dislike whatever you want, full stop) but even if games like Hatred are just trying to take advantage of anti-SJW backlash to make a quick buck, the fact that they exist at all is important in a culture that's becoming increasingly puritan and censorship orientated. Art is supposed to push the envelope. It's supposed to make you think. And even if all a game makes you do is think about why certain people are so desperate to ban it.