Cortney Stone writes "The demo at Square Enix's booth was awful. Really. The DS was mounted on a short, rigid metal stand at an uncomfortable angle, and it could not be adjusted. It made my left hand cramp as if I'd been playing for hours instead of minutes.
While the controls worked well on the PS2, they were horrid on the DS due to button mapping limitations. Camera controls were limited; your choice was to auto-adjust the camera with the R button or use the touchscreen. SE did not provide styluses for the DSes, and besides, you'd need a third hand to operate the touchscreen controls while running and slashing with the keyblade. It was also difficult to access the mini menu; you have to use X to cycle through your options and you have to hit confirm twice to use an item, which puts you an extra step away from downing a much-needed potion."
The future could be filled with revived Nintendo DS classics. Hopefully it happens!
My kid yesterday proclaimed he liked the DS more than the Switch because the controls work on the go. Then I asked if he would rather have Monster Hunter Stories 2 on Steam or Switch and he chose Steam. So proud!
VGChartz's Taneli Palola: "With the recent release of Kingdom Hearts III finally heralding the return of the bizarre Disney/Final Fantasy crossover franchise, I figured this would be a good time to look back at the entire series through its music. Overall, we'll be covering a span of almost 17 years, eight games, and several different platforms in this article."
Of all the pointless characters in the series, Kingdom Hearts' Xion is the absolute worst of them all, and she should not have been brought back in Kingdom Hearts III. Here's why.
Might be a controversial opinion but I've always thought Sora after KH1 was a very naive and one dimensional protagonist.
Dunno about the other games, as he was pretty typical of the first game, but in KH3 he seems like a complete idiot, whose only purpose is to act like a buffoon and provide comic relief. I think overall, they've lessened his overall relevance to the plot.
