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Time May Change Me: David Bowie and Omikron: The Nomad Soul

Paste: A redheaded guy with a too-spherical face and extremely widely-set eyes jumps through a pixelated hurricane of a portal and immediately starts in with a fast-paced, confusing speech about transferring my soul into his body in order to enter his dimension and perform some urgent mission. After what seems like an intentionally vague cut-scene featuring both a monster and a bipedal robot, I am knocked several feet by one of countless identical hovercars, losing about eighty percent of my health.

So began my attempt to revisit Omikron, a half-written symphony of a virtual city and a nearly impressive failure of a videogame.

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