Sean Halliday of Pixel Gate writes:
''Earlier this year, Bioshock: Infinite dazzled the masses; its story was proclaimed as one of the best in the history of video games, its world was held in high esteem, as was the game overall, and critics and players alike looked past its faults and heaped on the praise. ‘Game of the year…no wait, of the generation!,’ some claimed. While I enjoyed the game, (although I do feel Infinite peaks in the first few hours, with the middle being rather average and the ending decent) I found myself being blown away by another title: Metro: Last Light. It left me in awe, and not just because it’s utterly beautiful, either''