Before Time’s End you had another project called “Crystal Flash” which took us into the world of Metroid. Was that your first music project like this, or did you have prior experience?
Theophany: I had been working on Majora’s Mask a few years prior, but the aesthetic is very different. Crystal Flash was my first attempt at immersive music for Metroid but it’s not quite as tactile as Majora’s Mask. My newer work—like Gravity from Metroid Fusion has begun to move into that territory, but in general I tend to incorporate more EDM influences for Metroid tunes.